- Archaeology, Funerary Archaeology, Archaeological Theory, Anatolian Archaeology, Bronze Age Europe (Archaeology), Archaeology of the Eurasian steppe belt, and 30 moreStable Isotope Analysis, Ancient Near East, Caucasus, Russian Studies (in Area Studies) and the Caucasus, Mass Spectrometry, X-Ray Studies, Archaeometallurgy, Mineralogy, Archaeometry, Ceramic Analysis (Archaeology), ANE Cylinder Seals, Archaeological Science, Journal of Archaeological Science, Archaeological Chemistry, Gemology, Ancient Quarrying, Provenance studies of archaeological material, Ancient Near East (Archaeology), North Caucasus, Archaeology of Caucasus, South Caucasus, Armenia, Azerbaijan, Georgia, Early Bronze Age of Caucasia, Kura- Araxes, Anatolia, Ancient Iran Cultures, Jean Bottero, Ancient diets, Anthropology of Mobility, and Ancient DNA (Archaeology)edit
Abstract. The paper reports on the results of comprehensive analysis of a unique bronze flesh-hook featuring anthropomorphic figures from an Early Bronze Age dolmen (ca. 3200-2900 BC) near the village of Tsarskaya (contemporary... more
Abstract. The paper reports on the results of comprehensive analysis of a unique bronze flesh-hook featuring anthropomorphic figures from an Early Bronze Age dolmen (ca. 3200-2900 BC) near the village of Tsarskaya (contemporary Novosvobodnaya) in the Northwest Caucasus (fig. 1). It was established that the flesh-hook was cast from arsenical bronze with the use of the lost wax method and was used to take meat out of a cauldron and, therefore, it entered a ceremonial table-ware set used in public feasts. The depicted pair of naked men in boxing stand (fig. 2: 3) represents a scene of ritual fight in the presence of or in honor of a deity whose attribute are bull horns (fig. 4), on which fighters are standing. As a whole, the item is associated with the theme of a funeral feast and funeral games. The narrative scene and iconography of the images are likely to have its roots in the canons of Sumerian temple art of the Early Dynastic period and. probably, even of the earlier time (fig. 5). The adaptation of this narrative to the Maikop cultural milieu is explained by its attribution to the circle of cultures located in the northernmost periphery of the Western Asia civilization. Two figures depicted on the Tsarskaya flesh-hook, represent the earliest known example of anthropomorphic portable art in the Caucasus and probably the earliest sculptural image of fist fighting in the world.
Keywords'. Maikop culture, fist fighting, Caucasus, Ancient East, Early Bronze Age.
Keywords'. Maikop culture, fist fighting, Caucasus, Ancient East, Early Bronze Age.
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In the memory of Stanislav N. Bratchenko (1936 – 2011)
S.N. Bratchenko’s letter on the problems, results and prospects of studies of the Bronze Age Early Catacomb graves in the East European Steppe (07.06.1985).
S.N. Bratchenko’s letter on the problems, results and prospects of studies of the Bronze Age Early Catacomb graves in the East European Steppe (07.06.1985).
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Baturinskaya catacomb culture. Kuban Steppe, North-Wesrern Caucasus, Middle Bronze Age
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Kuban Steppe (North-Western Caucasus) in Eneolithic - Middle Bronze Age
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Principles and priorities of the field archaeology.
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Local and chronological characteristics of the Maikop culture.
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Open air archeological museum as a method of cultural heritage preservation
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How to preserve dolmens – cultural heritage of ancient people in the Western Caucasus
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The dolmen with petroglyphs, middle of the III mill. B.C., Western Caucasus, Black Sea coast.
